Massive bombing campaigns are not all they’re cracked up to be, and they usually don’t win wars. From William J. Astore at tomdispatch.com:
From Syria to Yemen in the Middle East, Libya to Somalia in Africa, Afghanistan to Pakistan in South Asia, an American aerial curtain has descended across a huge swath of the planet. Its stated purpose: combatting terrorism. Its primary method: constant surveillance and bombing — and yet more bombing. Its political benefit: minimizing the number of U.S. “boots on the ground” and so American casualties in the never-ending war on terror, as well as any public outcry about Washington’s many conflicts. Its economic benefit: plenty of high-profit business for weapons makers for whom the president can now declare a national security emergency whenever he likes and so sell their warplanes and munitions to preferred dictatorships in the Middle East (no congressional approval required). Its reality for various foreign peoples: a steady diet of “Made in USA” bombs and missiles bursting here, there, and everywhere.
Think of all this as a cult of bombing on a global scale. America’s wars are increasingly waged from the air, not on the ground, a reality that makes the prospect of ending them ever more daunting. The question is: What’s driving this process?
For many of America’s decision-makers, air power has clearly become something of an abstraction. After all, except for the 9/11 attacks by those four hijacked commercial airliners, Americans haven’t been the target of such strikes since World War II. On Washington’s battlefields across the Greater Middle East and northern Africa, air power is always almost literally a one-way affair. There are no enemy air forces or significant air defenses. The skies are the exclusive property of the U.S. Air Force (and allied air forces), which means that we’re no longer talking about “war” in the normal sense. No wonder Washington policymakers and military officials see it as our strong suit, our asymmetrical advantage, our way of settling scores with evildoers, real and imagined.