Silencing Alex . . . For Openers, by Eric Peters

Alex Jones was banned in a coordinated action by several of the social media platforms. This post was originally posted three days ago, but technical difficulties prevented it from being posted correctly. Here’s the second try, from Eric Peters at theburningplatform:

The other day, YouTube and Facebook and several other inter-related social media platforms banned Alex Jones – the founder of Prison Planet and InfoWars. The reason given isn’t that Alex is a “conspiracy” theorist – the ancient charge – but chiefly that he is a purveyor of “hate” speech.

What this really means is that the powers that be hate the things Alex speaks about – his political incorrectness – and can no longer abide his being free to speak about such things.

Having locked down colleges, the workplace and most other places, the very last place where it is still possible to openly express non-orthodox views – and to hear and read them – is online.

And now that is to be locked down, too.

The powers-that-be are almost literally chewing the carpet over the success of politically incorrect alternative media. They cannot stand it that people aren’t listening to them – and instead are listening to such as Alex and anyone else who does not parrot the party line.

The Internet opened up a level playing field. Made it possible to end-run the curatorship of the powers-that-be over the dissemination and analysis of information to a mass audience. One no longer needed to have the budget of The New York Times or CNN to compete with both of them.

Which has been driving the curators to Bunker Scene paroxysms of rage.

Since it’s not yet formally illegal to voice – and publish – contrarian views (which are often simply correct views which deviate from politically correct orthodox views; for example, raising questions about the government’s official explanation for the symmetric, almost free-fall collapse of WTC 7 on 911) the method used to silence these views was first to “demonetize” those who voiced and published them.

To continue reading: Silencing Alex . . . For Openers

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