Many of the histories written of the CIA and other intelligence agencies implicitly assume that the they are not still doing the dark deeds the history chronicle. In most instances that’s a faulty assumption. From Edward Curtin at lewrockwell.com:
“…since grasping the present from within is the most problematic task the mind can face.”
Have you ever seen a photograph of yourself from the past and laughed or grimaced at the way you were dressed or your hair style? It’s a common experience. But few people draw the obvious conclusion about the present: that our present appearance might be equally laughable. The personal past seems to be “over there,” an object to be understood and dissected for its meaning, while the present seems opaque and shape-shifting – or just taken-for-granted okay. “That was then,” says the internal voice, “but I am wiser now.” Historical perspective, even about something as superficial as appearance, rarely illuminates the present, perhaps because it makes us feel ignorant and unfree.
This is even truer with political and social history.
In recent years there has been a spate of books and articles detailing the CIA’s past Cold War cultural and political propaganda efforts, from the creation of the Congress for Cultural Freedom (CCF) with its string of magazines, to its collaboration with many famous writers and intellectuals, including Peter Matthiessen, George Plimpton, Richard Wright, Irving Kristol, et al., and its penetration and working relationships with so many publications and media outlets, including The New York Times, the Paris Review, Encounter, etc. These exposés show how vast was the CIA’s propaganda network throughout the media and the world, and how many people participated in the dirty work.
Joel Whitney, in his recently published book, Finks: How the CIA Tricked the World’s Best Writers (the word “tricked” ignores the eager accomplices), tells this scandalous story in illuminating detail. His account informs and nauseates simultaneously, as one learns how the CIA penetrated NGOs, television, universities, magazines, newspapers, book publishing, etc., finding willing collaborationists everywhere – scoundrels eager to spy on and betray even their friends as they deceived the public worldwide; how well-meaning leftist writers such as Ernest Hemingway and Garcia Marquez were tricked into lending their names and work to propaganda publications; how leftists were set against leftists in an elaborate effort to sow paranoia and confusion that could be used to put the Soviet Union in the worst possible light; and how many front organizations were created to secretly funnel money to support these endeavors and make and break careers. The story makes your skin crawl.
To continue reading: The “Deep State” Then and Now