The Death Of A Nation, by James George Jatras

 This fact seems to be very clear to the current leadership in Russia, particularly to President Vladimir Putin, in restoring and reunifying a country rent by three generations of Red and White enmity to achieve a national synthesis. With regard to things spiritual, this meant first of all the world-historic reunification of the Russian Orthodox Church, between the Moscow Patriarchate and the New York-based Russian Orthodox Church Outside of Russia. It also meant the rebuilding of the Cathedral of Christ the Savior dynamited by the communists 1931, not coincidentally the recent target for desecration by degenerates hailed by western «democracy» advocates.

Civic and military symbols matter as well. After 1991 there were those who wanted landmarks of the communist era to be ruthlessly expunged the way the Bolsheviks had themselves sought (in Solzhenitsyn’s description) to rub off the age-old face of Russia and to replace it with a new, ersatz Soviet image. Instead, wisdom prevailed. The national anthem adopted in 2001 retains the Soviet melody but with new lyrics (written by Sergey Mikhalkov, who with Gabriel El-Registan had penned the original lyrics in 1944!) – Lenin and Stalin are out, God is in. The old capital is again Saint Petersburg, but the surrounding district still bears the name Leningrad. The red star marks Russia’s military aircraft and vehicles, while the blue Saint Andrew’s cross flies over the fleet. The red stars likewise are still atop the Kremlin towers while the Smolensk icon of Christ once again graces the Savior Gate. The red banner that was hoisted triumphantly on the Reichstag in 1945 is carried on Victory Day. The remains of exiled White commanders like Anton Denikin and Vladimir Kappel were repatriated and reburied at home with honor.

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