Tag Archives: Movies

The Individual Against the Odds, by Kym Robinson

The best stories are the ones where a determined individual or group of individuals takes on the system. From Kym Robinson at libertarianinstitute.org:

There is a genre in fiction that celebrates an individual’s adversity against seemingly impossible odds. Whether this is a person who takes the war to organised crime (Mack Bolan), a secret agent saving the world for their government (James Bond), a wronged loner lost and bullied by the law and the society that rejects them (John Rambo), one who wants something so bad that they will defy social conventions (Velvet Brown), or even a rogue that hides behind a mask and inspires a revolution against tyranny (V), they are in some way inspiring. They are better than most not just because of courage, but also often principle. They are the outsider, the curmudgeon, and blowhard, or worse.

In the coming eclipse of cancel culture and layered censorship, certain allegories and metaphorical fiction will become a dangerous device for story tellers to use. It is no longer a method of sedition to lift a mirror up to a wider culture or society, to reveal an imagery that the victims or an outsider may see. The marketplace of varied opinions and diverse perspectives that is supposedly a hallmark of the abstract known as western civilization is becoming less welcome to such variations. Instead, through technology and a paternalistic tendency society is becoming a dystopia tinkering between the prose of Huxley and Orwell, but especially that found in the film ‘Demolition Man.’ It is a creation of the timid, those who shy away from difference while claiming to champion it.

Social media, like most innovations, was a promise to open our worlds and to connect and share so many different ideas and experiences. Instead it becomes a series of cultivated echo chambers that snuff out certain viewpoints and celebrate others, always confirming a particular bias. It is with an unofficial handshake that the public, made of shrill and easily offended individuals, unite with corporations and states to mash out a new moral order that mutates in instances of outrage and crisis. It clings to central planning and yet it is not necessarily centrally planned. It is a negative instinct to constrict and subvert any desires and needs for liberty. It is the widespread transformation of language to duplicate words into meanings that could only be conjured up inside the laboratories of intellect inefficiency. It is born from a need to be safe and correct, but it is a dangerous approach to any issue or problem.

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New Netflix movie fantasizes about time-traveling liberals carrying out the “pre-crime” murder of patriots to prevent an American uprising against globalism, by Mike Adams

Hollywood quits pretending it tolerates different points of view. They are to be eliminated, not tolerated. From Mike Adams at naturalnews.com:

Image: New Netflix movie fantasizes about time-traveling liberals carrying out the “pre-crime” murder of patriots to prevent an American uprising against globalism

(Natural News) As the delusional, insane cult of liberalism continues to infect every institution across America, Hollywood has been transformed into the place where left-wing fantasies are played out on the big screen to satisfy the delusions of the brainwashed masses. The latest example of these left-wing fantasies is found in a new Netflix feature movie called, “In the Shadow of the Moon.”

This new film imagines time-traveling liberals who wear Antifa hoodies murdering patriots across America, following a pre-crime kill list that includes a concert pianist, a grill cook, a bus driver and other people who have done nothing wrong. The pre-crime murder is intended to execute these people before they start an uprising against globalism, which of course seeks to overrun America and destroy our national sovereignty. The entire point of the film is to make sure all these people who defend America are killed, ensuring globalism succeeds in overrunning this nation and enslaving humanity. (The film’s writers are clearly in the pro-enslavement camp and believe that the ends justify the means.)

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