Tag Archives: Panopticon

You’d Better Watch Out: The Surveillance State Has a Naughty List, and You’re On It, by John W. Whitehead and Nisha Whitehead

A non-festive reminder this holiday season, from John W. Whitehead and Nisha Whitehead at rutherford.org:

“He sees you when you’re sleeping

He knows when you’re awake

He knows when you’ve been bad or good

So be good for goodness’ sake!”

—“Santa Claus Is Coming to Town”

Santa’s got a new helper.

No longer does the all-knowing, all-seeing, jolly Old St. Nick need to rely on antiquated elves on shelves and other seasonal snitches in order to know when you’re sleeping or awake, and if you’ve been naughty or nice.

Thanks to the government’s almost limitless powers made possible by a domestic army of techno-tyrants, fusion centers and Peeping Toms, Santa can get real-time reports on who’s been good or bad this year. This creepy new era of government/corporate spying—in which we’re being listened to, watched, tracked, followed, mapped, bought, sold and targeted—makes the NSA’s rudimentary phone and metadata surveillance appear almost antiquated in comparison.

Consider just a small sampling of the tools being used to track our movements, monitor our spending, and sniff out all the ways in which our thoughts, actions and social circles might land us on the government’s naughty list.

Tracking you based on your health status. In the age of COVID-19, digital health passports are gaining traction as gatekeepers of a sort, restricting access to travel, entertainment, etc., based on one’s vaccine status. Whether or not one has a vaccine passport, however, individuals may still have to prove themselves “healthy” enough to be part of society. For instance, in the wake of Supreme Court rulings that paved the way for police to use drug-sniffing dogs as “search warrants on leashes,” government agencies are preparing to use virus-detecting canine squads to carry out mass screenings to detect individuals who may have COVID-19. Researchers claim the COVID-sniffing dogs have a 95% success rate of identifying individuals with the virus (except when they’re hungry, tired or distracted). These dogs are also being to trained to ferret out individuals suffering from other health ailments such as cancer.

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Government Eyes Are Watching You: We Are All Prisoners of the Surveillance State, by John W. Whitehead

The state and its corporate partners have constructed an electronic Panopticon. From John Whitehead at rutherford.org:

“We’re run by the Pentagon, we’re run by Madison Avenue, we’re run by television, and as long as we accept those things and don’t revolt we’ll have to go along with the stream to the eventual avalanche…. As long as we go out and buy stuff, we’re at their mercy… We all live in a little Village. Your Village may be different from other people’s Villages, but we are all prisoners.”— Patrick McGoohan

First broadcast in America 50 years ago, The Prisoner—a dystopian television series described as “James Bond meets George Orwell filtered through Franz Kafka”—confronted societal themes that are still relevant today: the rise of a police state, the freedom of the individual, round-the-clock surveillance, the corruption of government, totalitarianism, weaponization, group think, mass marketing, and the tendency of humankind to meekly accept their lot in life as a prisoner in a prison of their own making.

Perhaps the best visual debate ever on individuality and freedom, The Prisoner (17 episodes in all) centers around a British secret agent who abruptly resigns only to find himself imprisoned and interrogated in a mysterious, self-contained, cosmopolitan, seemingly tranquil retirement community known only as the Village. The Village is an idyllic setting with parks and green fields, recreational activities and even a butler.

While luxurious and resort-like, the Village is a virtual prison disguised as a seaside paradise: its inhabitants have no true freedom, they cannot leave the Village, they are under constant surveillance, their movements are tracked by surveillance drones, and they are stripped of their individuality and identified only by numbers.

The series’ protagonist, played by Patrick McGoohan, is Number Six.

Number Two, the Village administrator, acts as an agent for the unseen and all-powerful Number One, whose identity is not revealed until the final episode.

“I am not a number. I am a free man,” was the mantra chanted on each episode of The Prisoner, which was largely written and directed by McGoohan.

In the opening episode (“The Arrival”), Number Six meets Number Two, who explains to him that he is in The Village because information stored “inside” his head has made him too valuable to be allowed to roam free “outside.”

Throughout the series, Number Six is subjected to interrogation tactics, torture, hallucinogenic drugs, identity theft, mind control, dream manipulation, and various forms of social indoctrination and physical coercion in order to “persuade” him to comply, give up, give in and subjugate himself to the will of the powers-that-be.

To continue reading: Government Eyes Are Watching You: We Are All Prisoners of the Surveillance State

Freedom Is A Myth: We Are All Prisoners Of The Police State’s Panopticon Village, by John W. Whitehead

You are being watched and controlled by the surveillance state and its corporate partners. From John W. Whitehead at rutherford.org:

“We’re run by the Pentagon, we’re run by Madison Avenue, we’re run by television, and as long as we accept those things and don’t revolt we’ll have to go along with the stream to the eventual avalanche…. As long as we go out and buy stuff, we’re at their mercy… We all live in a little Village. Your Village may be different from other people’s Villages, but we are all prisoners.”— Patrick McGoohan

First broadcast in Great Britain 50 years ago, The Prisoner—a dystopian television series described as “James Bond meets George Orwell filtered through Franz Kafka”—confronted societal themes that are still relevant today: the rise of a police state, the freedom of the individual, round-the-clock surveillance, the corruption of government, totalitarianism, weaponization, group think, mass marketing, and the tendency of humankind to meekly accept their lot in life as a prisoner in a prison of their own making.

Perhaps the best visual debate ever on individuality and freedom, The Prisoner (17 episodes in all) centers around a British secret agent who abruptly resigns only to find himself imprisoned, monitored by militarized drones, and interrogated in a mysterious, self-contained, cosmopolitan, seemingly tranquil retirement community known only as the Village.

The Village is a virtual prison disguised as a seaside paradise: its inhabitants have no true freedom, they cannot leave the Village, they are under constant surveillance, their movements are tracked by surveillance drones, and they are stripped of their individuality and identified only by numbers.

The series’ protagonist, played by Patrick McGoohan, is Number Six.

“I am not a number. I am a free man,” was the mantra chanted on each episode of The Prisoner, which was largely written and directed by McGoohan.

In the opening episode (“The Arrival”), Number Six is told that he is in The Village because information stored “inside” his head has made him too valuable to be allowed to roam free “outside.”

Throughout the series, Number Six is subjected to interrogation tactics, torture, hallucinogenic drugs, identity theft, mind control, dream manipulation, and various forms of social indoctrination and physical coercion in order to “persuade” him to comply, give up, give in and subjugate himself to the will of the powers-that-be.

Number Six refuses to comply.

In every episode, Number Six resists the Village’s indoctrination methods, struggles to maintain his own identity, and attempts to escape his captors. “I will not make any deals with you,” he pointedly remarks. “I’ve resigned. I will not be pushed, filed, stamped, indexed, debriefed or numbered. My life is my own.”

 

To continue reading: Freedom Is A Myth: We Are All Prisoners Of The Police State’s Panopticon Village