Fictional totalitarian dystopias are becoming real. From John and Nisha Whitehead at rutherford.org:
“If all that Americans want is security, they can go to prison. They’ll have enough to eat, a bed and a roof over their heads. But if an American wants to preserve his dignity and his equality as a human being, he must not bow his neck to any dictatorial government.”— President Dwight D. Eisenhower
The government wants us to bow down to its dictates.
It wants us to buy into the fantasy that we are living the dream, when in fact, we are trapped in an endless nightmare of servitude and oppression.
Indeed, with every passing day, life in the American Police State increasingly resembles life in the dystopian television series The Prisoner.
First broadcast 55 years ago in the U.S., The Prisoner—described as “James Bond meets George Orwell filtered through Franz Kafka”—confronted societal themes that are still relevant today: the rise of a police state, the loss of freedom, round-the-clock surveillance, the corruption of government, totalitarianism, weaponization, group think, mass marketing, and the tendency of human beings to meekly accept their lot in life as prisoners in a prison of their own making.
Perhaps the best visual debate ever on individuality and freedom, The Prisoner centers around a British secret agent who abruptly resigns only to find himself imprisoned in a virtual prison disguised as a seaside paradise with parks and green fields, recreational activities and even a butler.
While luxurious, the Village’s inhabitants have no true freedom, they cannot leave the Village, they are under constant surveillance, all of their movements tracked by militarized drones, and stripped of their individuality so that they are identified only by numbers.
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