Tag Archives: Abortion

Are Abortion & Gay Rights American Values? by Patrick J. Buchanan

There are no timeless, immutable values in politics, only positions adopted for political advantage. From Patrick J. Buchanan at buchanan.org:

“My religion defines who I am. And I’ve been a practicing Catholic my whole life,” said Vice President Joe Biden in 2012. “I accept my church’s position on abortion as … doctrine. Life begins at conception. … I just refuse to impose that on others.”

For four decades, Biden backed the Hyde Amendment, which prohibits the use of the tax dollars of Joe’s fellow Catholics to pay for what they view as the killing of the innocent unborn.

Last week, Joe flipped. He now backs the repeal of the Hyde Amendment.

Ilyse Hogue of NARAL Pro-Choice America welcomed home the prodigal son: “We’re pleased that Joe Biden has joined the rest of the 2020 Democratic field in coalescing around the Party’s core values — support for abortion rights.”

But when did the right to an abortion — a crime in many states before 1973 — become a “core value” of the Democratic Party?

And what are these “values” of which politicians incessantly talk?

Are they immutable? Or do they change with the changing times?

Last month, Disney CEO Bob Iger said his company may cease filming in Georgia if its new anti-abortion law takes effect: “If (the bill) becomes law, I don’t see how it’s practical for us to continue to shoot there.”

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Five Insights Gleaned From The Movie “Unplanned”, by Doug “Uncola” Lynn

Here is Doug “Uncola” Lynn’s take on the controversial anti-abortion film, Unplanned. From Lynn at theburningplatform.com:

Over the weekend, I was where I needed to pass some time and thought an early afternoon matinee would do the trick. Although I was not overly enthused to see any of the films currently showing, I chose to see Unplanned.  Mainly because the title seemed apropos just then and the movie’s starting time fit my schedule. Moreover, it looked to be a political film about the controversial subject of abortion and was, in fact, based on a true story.

The tale told of the life and times of Abby Johnson, a headstrong young lady from Texas who became one of the youngest Planned Parenthood clinic directors in the United States. She resigned in 2009 after seeing a fetus at 13 weeks gestation recoil in pain during an ultrasound-guided vacuum aspiration abortion.

The film portrayed the abortion industry, as exactly that, an industry whereby Planned Parenthood profited most from procedures terminating pregnancies; even to the point of demanding quotas from its clinics. Furthermore, distinct and contrasting parallels were drawn between those who believed they were advocating on behalf of women’s rights with those who believed life began at conception.

In fact, the ideological boundaries in the film were literally, and figuratively, defined by an iron-barred fence standing just beyond the Planned Parenthood clinic doors in Bryan, Texas; a line of separation, as it were, between the near-medieval Mengele-like procedures inside and the loud protestations and prayers of the pro-life activists standing on the outside.

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