Category Archives: Entertainment

Media Horrified By Lack Of Violence At Joker Screenings, from The Babylon Bee

U.S.—Our nation’s intrepid journalists had been warning the country about the threat of the Joker movie and how it could encourage violence among disaffected white people and incels — the new greatest threat to mankind. And as reporters prepared for an onslaught of violence as Joker premiered over the weekend, they were horrified by what happened: absolutely no violence or anything worth reporting on whatsoever.

“We found one incident of a guy cheering too loudly at the fictional violence,” said CNN reporter Terrance Shelton, “but that was it. There was nothing. Absolutely nothing we can glom onto and spin into a hot take that reinforces The Narrative. I’m shaken to my core.”

Journalists have already been shaken by many attacks on the press. Much of this has come from President Trump, but a lot also from reality, which has specifically gone after many of their hyped predictions and disasters. “We had expert opinions saying that the Joker movie was just adding fuel to the fire with all that’s going on,” said New York Times writer Glenn Peterson. “And once again, reality has defied experts. That’s not right.”

Now that opinion writers’ fears have been disproven, the pundits whose predictions were completely wrong and who have demonstrated they have no grasp of how reality actually works are expecting the harshest punishment for such a journalistic failure: absolutely nothing.

South Park Episode ‘Band in China’ Is Banned in China, by Nicole Hao

The Chinese government is sensitive to cartoons. You can go to jail for saying Xi Jingping looks like Winnie the Pooh, and now a South Park episode has been banned. From Nicole Hao at theepochtimes.com:

The most recent episode of the U.S. comedy cartoon show South Park, ‘Band in China,’ has been banned in China. Its content touched on politically sensitive topics for the Beijing regime: Hollywood kowtowing to Chinese censorship in exchange for market access; and China’s human rights abuses, such as forced organ harvesting and extrajudicial killings.

“[Chinese leader] Xi [Jinping] doesn’t look like Winnie the Pooh at all. Tune into our 300th episode this Wednesday at 10,” South Park’s creators Trey Parker and Matt Stone wrote in a statement on Oct. 7.

“Like the NBA, we welcome the Chinese censors into our homes and into our hearts,” the statement reads. “We too love money more than freedom and democracy.”

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Left and Right Unite Against Speech! by David Cole

Everybody is courageously for free speech as long as they agree with it. From David Cole at takimag.com:

I don’t like being wrong. But every now and then, I find myself ashamed to be right.

Last month I made a prediction. There was a movie being distributed by Universal called The Hunt, and right-wingers were up in arms because they thought the movie “glorified” the murder of rightists. Such a movie is dangerous! It could inspire real-life violence, they wailed as they hiked their skirts and jumped on chairs like women in an Edison Kinetoscope.

The screaming meemies were, of course, wrong. The film was actually a pro-“deplorables” actioner featuring cartoonishly villainous leftists. But Universal bowed to the right-wing mob and pulled the film, and the red-state retards rejoiced in having killed one of the few movies in recent history with a plotline that actually favored them.

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New Netflix movie fantasizes about time-traveling liberals carrying out the “pre-crime” murder of patriots to prevent an American uprising against globalism, by Mike Adams

Hollywood quits pretending it tolerates different points of view. They are to be eliminated, not tolerated. From Mike Adams at naturalnews.com:

Image: New Netflix movie fantasizes about time-traveling liberals carrying out the “pre-crime” murder of patriots to prevent an American uprising against globalism

(Natural News) As the delusional, insane cult of liberalism continues to infect every institution across America, Hollywood has been transformed into the place where left-wing fantasies are played out on the big screen to satisfy the delusions of the brainwashed masses. The latest example of these left-wing fantasies is found in a new Netflix feature movie called, “In the Shadow of the Moon.”

This new film imagines time-traveling liberals who wear Antifa hoodies murdering patriots across America, following a pre-crime kill list that includes a concert pianist, a grill cook, a bus driver and other people who have done nothing wrong. The pre-crime murder is intended to execute these people before they start an uprising against globalism, which of course seeks to overrun America and destroy our national sovereignty. The entire point of the film is to make sure all these people who defend America are killed, ensuring globalism succeeds in overrunning this nation and enslaving humanity. (The film’s writers are clearly in the pro-enslavement camp and believe that the ends justify the means.)

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You’re Not Allowed to Laugh at That! by Joe Bob Briggs

“Conformity to proper social norms” and “humor” are contradictions in terms. From Joe Bob Briggs at takimag.com:

RALEIGH, N.C.—The stand-up comedy stage is the last place where you can speak without a filter.

Or at least I always thought so.

People are bringing tape recorders into workout clubs to make sure comics don’t “cross over the line.” That would be the Speech Code Line, the one that dwells within the active imaginations of humorless graduates of Sensitivity Training Class. We used to have a motto: “The job of the comedian is to define where the line is, and then deliberately cross it.” Good luck with that today. Someone in the audience might just be a Kamikaze Safe Space Warrior, a person being repeatedly triggered on purpose in an act of self-sacrifice for the greater good.

Yeah, I know—in one sense it’s nothing new. I’ve heard all the stories about Lenny Bruce, how the cops nailed him in a Greenwich Village club for saying the word “cocksucker” and then the authorities hounded him all the way to jail, an experience that pretty much broke his spirit.

And yeah, I know how George Carlin’s “seven dirty words” routine got trundled up to the Supreme Court by humorless moral scolds.

And yeah, I know how Gilbert Gottfried lost his job as the Aflac duck because he made Japanese tsunami jokes. (That’s the best you could do on offensive Gilbert material? The man anchored the Friars Club roasts for years. If the greatest comedians from both coasts had a life-or-death dirty-joke contest, Gilbert would be the sole survivor—he can tell jokes that make Andrew Dice Clay puke.)

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Hollywood reboots Russophobia for the New Cold War, by Max Parry

Washington and Hollywood have been in bed together for a long time. From Max  Parry at off-guardian.org:

​It is an age-old question as to the extent art reflects the world we live in. Bertolt Brecht allegedly said to the contrary that art was “not a mirror held up to reality but a hammer with which to shape it.”

The Marxist German playwright devised theatrical methods designed to distance the audience from the staged drama while drawing self-reflexive attention to the contrived nature of the spectacle itself.

The idea was that by estranging the spectator and encouraging critical examination, they would come to view society’s manmade injustices as similarly unnatural and be given agency to transform them in the real world. One of the implications of Brecht’s notion was that art in its more conventional forms often functions as a tool of mass persuasion for those in power to reinforce those inequities.

Marx and Engels themselves professed to have learned more about the contradictions of French society from the novels of Honoré de Balzac, which upheld the monarchy and the Church, than any historians or philosophers of their day. At its very worst, artistic mediums can be used by governments to manipulate a nation’s attitude towards other countries in order to justify war.

Brecht’s life and work coincided with the development of the film industry. However, most productions influenced by his ‘epic theatre’ were art-house and foreign films while commercial, mass-market Hollywood movies placed greater emphasis on appealing to the emotions over intellect.

However, there were some exceptions such as Charlie Chaplin who not coincidentally was persecuted for his politics by the House of Un-American Activities Committee (HUAC) during the Red Scare.

In the Cold War, Tinseltown played an important role in the cultural battlefield against the USSR and anti-Soviet paranoia was an ever-present theme in American cinema for decades, from the McCarthy era until the Berlin Wall fell.

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Scandal Erupts Over Murder-Porn Movie Where Elite Liberals Hunt Trump Supporters, by Tyler Durden

This is not a satire story. Hollywood actually has a movie coming out next month in which liberals hunt “deplorables.” The movie bills itself as a “satire.” From Tyler Durden at zerohedge.com:

It took several weekends of mass shootings for Universal Pictures to yank ads for (but not postpone, or cancel) an R-rated ‘murder-porn’ movie in which elite liberals hunt Trump supporters for sport.

“Did anyone see what our ratfucker-in-chief just did?” asks one character early in the screenplay for The Hunt – set to open Sept. 27. “At least The Hunt’s coming up. Nothing better than going out to the Manor and slaughtering a dozen deplorables,” is the reply.

The film from producer Jason Blum – a former executive with Bob and Harvey Weinstein’s Miramax – was also behind The Purge, a movie similarly about hunting human beings.

Universal is re-evaluating its strategy for the certain-to-be-controversial satire. The violent, R-rated film from producer Jason Blum’s Blumhouse follows a dozen MAGA types who wake up in a clearing and realize they are being stalked for sport by elite liberals.

Over the Aug. 3 weekend, ESPN pulled an ad for the film that it had previously cleared, while AMC ran the spot during the season premiere of its drama The Preacher. It’s unclear whether the ads were identical, but the one yanked by ESPN opened with a sound resembling an emergency broadcast signal. A rep for ESPN parent Disney declined to comment on the move, but an ESPN source says no spots for the film will appear on the network in the coming weeks. –Hollywood Reporter

Meanwhile, the movie itself has caused outrage amid one of the most politically divided periods in recent American history.

Leftists are making movies about killing you and want to disarm you,” writes Newsmax host and former NYPD officer John Cardillo.

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American Idiocracy: 50 Years Later, We’re Still Stranded in the Twilight Zone, by John W. Whitehead

“The Twilight Zone” was one of the finest TV shows ever produced. From John W. Whitehead at rutherford.org:

We’re developing a new citizenry. One that will be very selective about cereals and automobiles, but won’t be able to think.”—Rod Serling

Have you noticed how much life increasingly feels like an episode of The Twilight Zone?

Only instead of Rod Serling’s imaginary “land of both shadow and substance, of things and ideas,” we’re trapped in a topsy-turvy, all-too-real land of corruption, brutality and lies, where freedom, justice and integrity play second fiddle to political ambition, corporate greed, and bureaucratic tyranny.

It’s not merely that life in the American Police State is more brutal, or more unjust, or even more corrupt. It’s getting more idiotic, more perverse, and more outlandish by the day.

Somewhere over the course of the past 240-plus years, democracy has given way to idiocracy,  and representative government has given way to a kleptocracy (a government ruled by thieves) and a kakistocracy (a government run by unprincipled career politicians, corporations and thieves that panders to the worst vices in our nature and has little regard for the rights of American citizens).

Examples abound.

In Georgia, political organizers posted a “Black Media Only” sign outside a Baptist Church, barring white reporters from attending a meeting about an upcoming mayoral election.

In Arizona, a SWAT team raided a family’s home in the middle of the night on the say-so of Child Protective Services, which sounded the alarm after the parents determined that their 2-year-old—who had been suffering a 100-degree fever—was feeling better and didn’t need to be admitted to the hospital.

In Virginia, landlords are requiring dog-owning tenants to submit their pets’ DNA to a database that will be used to track down (and fine) owners who fail to clean up after their dogs poop in public.

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Five Insights Gleaned From The Movie “Unplanned”, by Doug “Uncola” Lynn

Here is Doug “Uncola” Lynn’s take on the controversial anti-abortion film, Unplanned. From Lynn at theburningplatform.com:

Over the weekend, I was where I needed to pass some time and thought an early afternoon matinee would do the trick. Although I was not overly enthused to see any of the films currently showing, I chose to see Unplanned.  Mainly because the title seemed apropos just then and the movie’s starting time fit my schedule. Moreover, it looked to be a political film about the controversial subject of abortion and was, in fact, based on a true story.

The tale told of the life and times of Abby Johnson, a headstrong young lady from Texas who became one of the youngest Planned Parenthood clinic directors in the United States. She resigned in 2009 after seeing a fetus at 13 weeks gestation recoil in pain during an ultrasound-guided vacuum aspiration abortion.

The film portrayed the abortion industry, as exactly that, an industry whereby Planned Parenthood profited most from procedures terminating pregnancies; even to the point of demanding quotas from its clinics. Furthermore, distinct and contrasting parallels were drawn between those who believed they were advocating on behalf of women’s rights with those who believed life began at conception.

In fact, the ideological boundaries in the film were literally, and figuratively, defined by an iron-barred fence standing just beyond the Planned Parenthood clinic doors in Bryan, Texas; a line of separation, as it were, between the near-medieval Mengele-like procedures inside and the loud protestations and prayers of the pro-life activists standing on the outside.

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The Seen vs. the Unseen, by John Stossel

One of the stupider ways local governments throw away money is to build stadiums for billionaires. From John Stossel at townhall.com:

Sunday is the Super Bowl.

I look forward to playing poker and watching. It’s easy to do both because in a three-hour-plus NFL game there are just 11 minutes of actual football action.

So we’ll have plenty of time to watch Atlanta politicians take credit for the stadium that will host the game. Atlanta’s former mayor calls it “simply the best facility in the world.”

But politicians aren’t likely to talk about what I explain in my latest video — how taxpayers were forced to donate more than $700 million to the owner of Atlanta’s football team, billionaire Arthur Blank, to get him to build the stadium.

In addition to the subsidies, the Falcons get all the money from parking, restaurants and merchandise sales. Sweet deal.

But not an unusual one. Some NFL teams collect even more in government subsidies than it cost to build their stadiums.

So taxpayers, most of whom never attend a game, subsidize billionaires.

Seems like a scam.

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