Category Archives: Entertainment

Time For A Divorce, by The Zman

There is no living with people who want to eliminate you . . . completely. From The Zman at thezman.com:

Elections in America have always been contentious things, as the point of them is to get all sides as agitated as possible. If you wanted to find the point at which our elections turned ugly it would be when the concept of turnout became the focus. The surest way to get your guys motivated to vote is to convince them that the alternative is pure evil, the worst thing imaginable. Since one side will always lose, it means something close to half the country is always angry at the result.

The thing is though, it was always a game and most people got it. The candidates would say the vilest things about one another, but then carry on like old pals during a debate, showing the world they did not really mean those things. In fact, this is why the Left has controlled the country. Everyone else has always been sure the Left was not really serious about what they were saying. Despite it all, many people remain convinced that the Left today is just putting on a show.

That may be one of the factors creating the current crisis. The eruption of mass media over the last couple of decades puts the Left in our face all the time. There is no escaping politics today, which means there is no escaping the Left. Watch a sporting event and there will be lefty political preaching. Check the weather for your trip to the beach and you get a lecture on global warming. Go outside and you see people wearing three masks in their car, letting you know they are in that cult.

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From the Notebook: When Harry Met Meghan, by Tom Luongo

Harry and Meghan bid to become head of the woke elite. From Tom Luongo at tomluongo.me:

Brendan O’Neill is spot on here with his take down of the Meghan Markle / Oprah interview.

He rightly points out all the cultural imperatives, the clash between the new aristocracy of victimhood and the old one of sacrifice and societal duty represented by the old one, i.e. the queen.

A conflict between the contemporary cults of victimhood and identity politics, as now keenly represented by Harry and Meghan, and the older ideals of duty, self-sacrifice, stoicism and keeping your shit together, as embodied by the queen, and as aspired to by most Brits in recent decades. This internecine clash between the Sussexes and the Palace is really an unspoken civil war between post-Diana New Britain and Old Britain. Last night’s interview, facilitated by that doyen of the new elites, Oprah, was essentially a power grab by Harry and Meghan – their attempt to seize the throne of the victim industry and consolidate their cultural power in the post-traditional world.

This was a calculated attack on the British Royal Crown for a myriad of reasons. It’s not just a fluffy distraction from the latest round of power grabs by Biden and Brussels.

Remember folks, the crown backed Brexit.  The crown was aligned with Trump to stop the inexorable march across the globe by the EU and the Eurocrats under Herr Schwab’s control. Now the Crown is paying the price. It will not stop here.

Meghan and Harry sitting down with Oprah, the High Priestess of Cultural Victimhood, was no accident.  Oprah’s raison d’etre is selling cultural Marxism to middle-class soccer moms.  She’s built a media empire on this. She’s good at it. And she’s a close ally of Obama’s.

Obama is a true Commie believer and a vandal who hates both America and white people. Look around you today and don’t tell me that the current Democratic party and most of their allies in Hollywood aren’t looking to perform a complete reversal of society from one, in their narrative, ‘run by whites’ to one ‘run by the oppressed, i.e. blacks.’

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How Societies Are Imprisoned: The Whole World Will One Day Be Like Hollywood? by Brandon Smith

Will the rest of us face the choice: spout woke or don’t work? From Brandon Smith at alt-market.us:

I rarely write about Hollywood or the film industry, primarily because there is a vast array of analysts and YouTubers in the alternative media that discuss the bizarre behaviors and trespasses of Tinsel Town on a daily basis. They usually have it covered. That said, every once in a while I find that events in Hollywood reflect a much more pervasive dynamic in our culture and that the bigger picture needs to be addressed.

I also want to be clear that when I talk about “Hollywood” I am not only referring to the place; I’m referring to the entire corporate empire. I’m including Netflix and other streaming companies that may not work completely out of LA. They are all funded and run by the same people anyway.

Hollywood and the corporate cabal behind it have long sought to be the center of America’s cultural universe. In other words, they are seeking to pervert the natural dynamic so that life imitates art instead of art imitating life. And, if they control all the art then they control people’s perceptions of life.

The concept of “Manufacturing Consent”, posited by people like Noam Chomsky, plays a role here, but I think it goes far beyond that. Rather, Hollywood seeks to not only manufacture consent from the public, but also to manufacture the public’s relationship to reality. They don’t just want us to keep our heads down and begrudgingly accept their ideological zealotry; they want us to believe that their way is and always was the ONLY way.

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New Covid Guidelines: “Stay Away from your Loved Ones”, by Simon Black

Simon Black’s weekly chronicle of the absurd. From Black at sovereignman.com:

Are you ready for this week’s absurdity? Here’s our Friday roll-up of the most ridiculous stories from around the world that are threats to your liberty, risks to your prosperity… and on occasion, inspiring poetic justice.

California Public Health Department: “Stay Away from your Loved Ones”

“Love means staying away,” according to the California Department of Public Health.

The agency is using taxpayer funds to run ads with the tagline “Mom’s advice: Send flowers. Write a card. Stay away and protect your loved ones this Valentine’s Day.”

They even coined a new hashtag: #LoveMeansStayingAway.

And the ad campaign wouldn’t be complete without pictures of mom’s sharing photos of themselves with the hashtag written on their masks.

Abandoning your loved ones is heroic.

Shame. Guilt. Obey.

Click here to see the propaganda.

White People Not Qualified to be Foster Parents

A Montreal foster agency has told a white couple that they were not eligible to foster a child because the office is ‘saturated with Caucasian families.’

The Canadian couple applied and were accepted by their local foster agency. But when their file was transferred to another region with more children who needed homes, they were told:

‘[W]e are so saturated with Caucasian families that we have no need to look further for them in other boroughs. What we really need are black families and hispanic families. We don’t need Caucasian families.’

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Is this a good way to fight back?

Comedian Rowan Atkinson: Cancel Culture “Like A Medieval Mob”, by Tyler Durden

There’s a lot of people out there who can’t take a joke. From Tyler Durden at zerohedge.com:

British star has a long history of defending free speech against the language police

Rowan Atkinson, famous for portraying the characters Mr Bean and Blackadder, has once again hit headlines for slamming the rise of a destructive cancel culture.

In an interview with the UK’s Radio Times, Atkinson described online trolls trying to ban everything as “the digital equivalent of the medieval mob.”

“The problem we have online is that an algorithm decides what we want to see, which ends up creating a simplistic, binary view of society,” he said.

“It becomes a case of either you’re with us or against us. And if you’re against us, you deserve to be ‘cancelled’,” the British comedian emphasised.

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China: The Conquest of Hollywood, by Judith Bergman

Hollywood celebrities and executives are a lot kinder to the Chinese government than they’ve been to Donald Trump. From Judith Bergman at gatestoneinstitute.com:

  • One Hollywood producer told PEN America that suggestions for projects critical of China aroused the fear that “you or your company will actively be blacklisted, and they will interfere with your current or future project. So not only will you bear the brunt [of your decision], but also your company, and future companies that you work for. And that’s absolutely in the back of our minds.”
  • “It’s not just the Hollywood issue, it’s not just the tech issue, it’s not just the basketball or the sports issue, or various other industries. … It’s all across the board. To get products and services into that market, there are certain rules you have to play… so they allow you access to the consumers. But those processes… have gotten worse and worse… and more amplified over time…. [It]has got to the point where we either need to stop it now and fight back, or we are just going to lose….” — Chris Fenton, Hollywood executive and author of Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, and American Business. voanews.com, October 16, 2020.
  • The problem is much larger than just the movie business.
In October, for the first time, China overtook North America as the world’s largest film market. Pictured: Wang Jianlin (second from left), chairman of China’s Wanda Group, attends the opening ceremony of the Wanda Qingdao Movie Metropolis, billed as “China’s answer to Hollywood,” in Qingdao on April 28, 2018. (Photo by Wang Zhao/AFP via Getty Images)

In October, for the first time, China overtook North America as the world’s largest film market. “Movie ticket sales in China for 2020 climbed to $1.988 billion on Sunday, surpassing North America’s total of $1.937 billion, according to data from Artisan Gateway. The gap is expected to widen considerably by year’s end,” wrote The Hollywood Reporter on October 18. “Analysts have long predicted that the world’s most populous country would one day top the global charts. But the results still represent a historic sea change”.

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‘We Must Follow The Science!’ Screams Actor Who Believes Xenu Dumped Frozen Aliens Into Volcanoes And Exploded Them With Bombs 75,000,000 Years Ago

From The Babylon Bee:

LONDON—While filming the next Mission Impossible movie, an actor who believes Xenu stacked frozen aliens around volcanoes and then flew Douglas DC-8s over them to drop hydrogen bombs and blow them all to smithereens some 75,000,000 years ago shouted at his crew for not wearing masks and not listening to the science.

“We must listen to the science, do you understand me!?” shouted the man who follows the idea that a space lord alien dude came to Earth, then known as Teegeeack, part of a sector called the Galactic Confederation, and blew up a bunch of his people, which transformed them into thetans. “I’m sick and tired of all the ignorant beliefs going around this set! Come on, man!”

“Alright, I’m off to go clear some clusters of thetans off my body,” he said, referring to his belief that the volcanoed, bombed aliens transformed into metaphysical creatures called “thetans” and now attach themselves to humans, and then must be cleared through a process that involves meditation, introspection, and giving the Church of Scientology millions of dolllars. “When I get back, I want everyone to be following…”

He left a dramatic pause here.

“… THE SCIEEEEEEENCE!!!”

https://babylonbee.com/news/tom-cruise-we-must-follow-the-science-and-trust-that-xenu-dumped-frozen-aliens-into-volcanoes-and-exploded-them-with-bombs-75000000-years-ago

Beethoven in the Age of Endarkenment, by Ian Fantom

Beethoven was obsessed, to the point of obnoxiousness, with human freedom. You can hear it in his music. From Ian Fantom at off-guardian.org:

Ludwig van Beethoven was baptised on 17 December, 1770, and so was probably born on the 16th. I remember the fuss made by the mainstream media on the occasion of his 200th anniversary just 50 years ago, but where are the mainstream media now? I’ve heard nothing from them so far in the UK about the 250th anniversary.

Could that just be because of the current obsession with COVID-19 and the lockdown, or could there be some other reason for this silence? After all, Beethoven is still just as popular as he was 50 years ago, even if playing live music in concert halls is being made impossibly difficult by The Powers That Be.

Could it possibly be that reviving the memory of a dissident could be dangerous for the current world order?

After all, all sorts of dissidents today are being censured by the big corporations of Silicon Valley. Medical experts in various fields are being suppressed, merely because they challenge the wisdom of the World Health Organisation, an organisation heavily infiltrated by the elites of Silicon Valley.

Such wisdom is being brainlessly passed on by the political classes, and by ‘churnalists’ who get paid per thousand words rather than per thousand facts.

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Oliver Stone, America Firster, by Bill Kauffman

Oliver Stone is an interesting character and he’s made some controversial movies. From Bill Kauffman at theamericanconservative.com:

At root, Oliver Stone is a patriot who despises the American Empire for corrupting his country, and a far cry from your run-of-the-mill Hollywood liberal.

I first became aware of Oliver Stone when in 1986 I was watching his film Salvador with an audience of left-wing Santa Barbarians. They were enjoying this madcap cinematic indictment of Uncle Sam’s imperialist crimes in Central America—until a scene in which the rebel forces, riding to town like a Marxist cavalry in the righteous cause of The People, began executing the unenlightened. Then the boos rang down.

Who is this guy, I wondered. My curiosity was whetted further when the P.C. reviewer in the Los Angeles Herald denounced Stone’s screenplays for earlier films: “Movies like Midnight Express, Scarface, and Year of the Dragon are such grand-scale xenophobic fever-dreams that they almost demand to be remade into operas, complete with belching smoke and lurid lighting and crimson-suited devils scurrying out of the wings to pitchfork lily-white Mother America.”

Ah, a left-wing America Firster!

Not quite, as his subsequent work and his entertaining new memoir, Chasing the Light, illumine, but Oliver Stone, our most political major filmmaker, evinces a rowdily heterodox vision shaped by the unusual quartet of Jim Morrison, Sam Peckinpah, Frank Capra, and Jean-Luc Godard.

What do you call a man who joins the Merchant Marine on a whim, runs up big pro football gambling debts, and takes the Old Right view of FDR’s foreknowledge of the Japanese attack on Pearl Harbor?

I’d call him an American.

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